Devin Maxwell, PhD, is a composer, percussionist, and music technology entrepreneur. His chamber music has been described as “amiably strident…clusters hammered insistently” by the New York Times and orchestral works “a beautiful puzzle, … fitting between plucks and pedals that build pyramid melodies” by the American Record Guide. As a composer, he has recently been commissioned by MMM… (Tokyo), Bent Frequency (Atlanta), Ensemble Dedalus (France), the Deer Valley Music Festival Emerging Quartets and Composers for the Skyros Quartet (Seattle) and featured at The Stone (NYC), Abron’s Art Center (NYC), the Ontological Theater (NYC), BLIM (Vancouver), ARTSaha (Omaha), the Wulf (Los Angeles), Monkeytown (NYC), Dartmouth College, NYU, Columbia University, Kenyon College, Boston Conservatory, Tage Aktueller Music (Germany), SEAMUS, ICMC-SMC (Greece), Ostrava Days (Czech Republic), among others. Awards for composition include the Nief-Norf Composition Prize, the Leroy Robertson Prize, “Best Experimental Film” New York Independent Film Festival, New Music USA/Commissioning Music USA and an Honorable Mention at the American Composer’s Orchestra 2013 Underwood Readings. His creative work is critically examined in the book Boring, Formless Nonsense; Experimental Music and the Aesthetics of Failure by Eldritch Priest, and the 2012 journal Postmodern Culture. Maxwell is also chair of the Vu Symposium for Electronic, Experimental, and Improvised music held in Park City, UT.